DISSOLVE INTO NOTHING
DISSOLVE INTO NOTHING presents an artful view of pedestrians crossing at an active intersection. Shot from above, the composition captures a dynamic interplay between stillness and motion: stationary figures appear in sharp detail, while others are rendered as soft blurs through the use of a slow shutter speed. The linear markings of the crossing divide the frame with graphic precision, contrasting with the organic flow of human movement below.
Suitable for both private collections and public spaces, DISSOLVE INTO NOTHING offers a quiet study of time, motion, and the rhythms of urban life.
DETAILS
Printed on Ilford Galerie Textured Cotton Rag 310gsm Matt Paper. 100% Cotton Rag Matt paper for the very best in fine art printing. The textured surface grain becomes an integral part of the image, adding dimension and enhancing lighter printed areas. This is an archival paper that will give lasting image stability for many years and produce crisp detail. Express your creativity with Ilford Galerie Textured Cotton Rag 310gsm paper.
A NOTE FROM THE ARTIST
I don’t know exactly what it is, but there’s something about being in another place that softens everything. It’s not peace, really. More like the quiet insignificance of simply being.
Cities make me feel like I can dissolve into the crowd, and suddenly I’m more aware of the normalities and idiosyncrasies of strangers around me — small gestures, private moments, the invisible rhythms that stitch a city together.
DISSOLVE INTO NOTHING presents an artful view of pedestrians crossing at an active intersection. Shot from above, the composition captures a dynamic interplay between stillness and motion: stationary figures appear in sharp detail, while others are rendered as soft blurs through the use of a slow shutter speed. The linear markings of the crossing divide the frame with graphic precision, contrasting with the organic flow of human movement below.
Suitable for both private collections and public spaces, DISSOLVE INTO NOTHING offers a quiet study of time, motion, and the rhythms of urban life.
DETAILS
Printed on Ilford Galerie Textured Cotton Rag 310gsm Matt Paper. 100% Cotton Rag Matt paper for the very best in fine art printing. The textured surface grain becomes an integral part of the image, adding dimension and enhancing lighter printed areas. This is an archival paper that will give lasting image stability for many years and produce crisp detail. Express your creativity with Ilford Galerie Textured Cotton Rag 310gsm paper.
A NOTE FROM THE ARTIST
I don’t know exactly what it is, but there’s something about being in another place that softens everything. It’s not peace, really. More like the quiet insignificance of simply being.
Cities make me feel like I can dissolve into the crowd, and suddenly I’m more aware of the normalities and idiosyncrasies of strangers around me — small gestures, private moments, the invisible rhythms that stitch a city together.
DISSOLVE INTO NOTHING presents an artful view of pedestrians crossing at an active intersection. Shot from above, the composition captures a dynamic interplay between stillness and motion: stationary figures appear in sharp detail, while others are rendered as soft blurs through the use of a slow shutter speed. The linear markings of the crossing divide the frame with graphic precision, contrasting with the organic flow of human movement below.
Suitable for both private collections and public spaces, DISSOLVE INTO NOTHING offers a quiet study of time, motion, and the rhythms of urban life.
DETAILS
Printed on Ilford Galerie Textured Cotton Rag 310gsm Matt Paper. 100% Cotton Rag Matt paper for the very best in fine art printing. The textured surface grain becomes an integral part of the image, adding dimension and enhancing lighter printed areas. This is an archival paper that will give lasting image stability for many years and produce crisp detail. Express your creativity with Ilford Galerie Textured Cotton Rag 310gsm paper.
A NOTE FROM THE ARTIST
I don’t know exactly what it is, but there’s something about being in another place that softens everything. It’s not peace, really. More like the quiet insignificance of simply being.
Cities make me feel like I can dissolve into the crowd, and suddenly I’m more aware of the normalities and idiosyncrasies of strangers around me — small gestures, private moments, the invisible rhythms that stitch a city together.
